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In the film coraline the director henry selikc
In the film coraline the director henry selikc










in the film coraline the director henry selikc

I met with Henry here in Chicago a couple weeks back, and I was his first interview of the day. Kids aren't as fragile as everything thinks, and they love a good scare as much as anyone, maybe even more so. Sure they get scared, but they also get a great thrill watching characters they can relate to be put in great peril. I can appreciate that, and more importantly, so can kids who see his films. Seriously, after seeing works like THE NIGHTMARE BEFORE CHRISTMAS, JAMES AND THE GIANT PEACH, and his latest and greatest work CORALINE (which absolutely must be seen in 3-D), I don't see how mere humans can actually create something so lovely, fluid, scary, and wondrous without having some form of magic at their disposal.Īnd here's what else I love about Selick, he seems to get the greatest thrill out of putting his child characters in mortal danger. All he has to do is point a camera at them and shoot. No, when I think of Selick at work, I see a wizard concocting potions and chanting spells all in the name of making tiny dolls and animals and plants and other creatures come to life. Though I'm sure both Selick and Laika will continue produce great films.When I think of Henry Selick directing a movie, I don't so much envision a man and his animators working tireless for months and years posing and re-posing tiny figures as part of the next great stop-motion feature, or coming up with ways to avoid using CGI to complete his vision and do as much as possible using practical, handmade techniques. I'll be curious to see what Laika does next and see what Selick decides to direct next, at whatever studio he ends up at. I don't know about his work ethic and the way he treated the animators at Laika, but I do know that all the work definitely payed off, and the film looks beautiful (even in comparison to other stop-animated movies like Fantastic Mr. I'm a big fan of Selick and his work and I especially loved Coraline. Selick doesn't have another project setup at the moment, but seemed enthusiastic about a few ideas when I interviewed him earlier this year. "I will miss him and wish him well in his future projects." The animation studio is currently figuring out what their next feature project will be. "Throughout our five years of collaboration, Henry has been variously my director, my mentor, and my friend," Laika's CEO Travis Knight said in a statement today. Animators who worked on Coraline with Selick credit his experience and artistic vision with bringing the film to life, but others complain privately that he was an exceedingly demanding boss, according to.

In the film coraline the director henry selikc movie#

As Anne Thompson said: "It seems odd that when a movie breaks out and does as well as Coraline, that the filmmaker would leave the animation company behind it."īefore joining Laika, Selick was best known for directing The Nightmare Before Christmas. Selick's last stop-animation feature film Coraline wasn't exactly a smash success, but it did earn a respectable $75 million at the US box office. Selick had been looking for another feature to oversee, but with his contract up and no next project in place for him to tackle, he decided to move on.

in the film coraline the director henry selikc in the film coraline the director henry selikc

After working at the Portland, OR-based animation studio Laika for five years, writer/director Henry Selick has decided to leave the studio to work elsewhere.












In the film coraline the director henry selikc